February 6, 2009 by Robin Locke Monda
A commercial display of baked goods is an art form built on the strategic use of separation.
Example: We step from the mean streets of our little town or big city into a store scented with vanilla, cinnamon and coffee, pull a tiny paper ticket from a stingy red dispenser and read the number that tells us… nothing, really, except that we must be patient. We are. We take our place among the many suitors craning to see the confectionery vision laid before us. Glittering gustatorial gems are staged in Busby Berkeley arrangements on gold foil laminated cardboard platters and white paper doilies.
When we finally reach the front of the line we bend down to peer through the glass encasement—the border fence, the high wall between us and our object of desire. Trays and rows of frosted, sprinkled, drizzled, confettied, and powdered morsels tease our eye and our pallet. Continue Reading »
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Posted in A Picture is Worth..., Art or Commerce?, Exhibition, Installation, Popular Culture | Leave a Comment »
February 4, 2009 by Robin Locke Monda
I took this photograph with my cell phone a couple of months ago, at a local Staten Island diner. It is not an unusual scene in a diner. The monster cookies. I was enamored of their inflated forms piled high on a metal pedestal. Who eats these cookies? Does anyone? Does anyone eat the lemon meringue pies with the fake egg white swirl that’s higher than Elvis’ hair? I’ve never seen a person eat a slice from one of those pies. Do the same cookies and pies stay in their respective spots, uneaten, forever? Are they immortal props that complete the “authentic” diner experience? Maybe they were bought 25 years ago when the diner first opened and have stuck around ever since — dusted occasionally — along with the framed first fiver over the cashier’s counter. Continue Reading »
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Posted in A Picture is Worth..., Design, Exhibition, Installation, Photography, Popular Culture, Theater | Leave a Comment »
February 1, 2009 by Robin Locke Monda
I’m planning my first visit to the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, so I checked out their web site. Happily, the museum is featuring one of Dave Cole’s American flags. Cole is a conceptual artist whose work is as strong on social and political commentary as it is on celebrating the physical side of art making. He is best known for his startling reinventions of the American flag. For instance, “Memorial Flag (Toy Soldiers)” is made entirely from red, white and blue “troops”; a bristling thicket of tiny soldiers that turn the American flag’s design into manufactured postures of war.
The Aldrich will be displaying Cole’s “Flags of the World.” “Flags of the World” is zigzag stitched from the red, white and blue scraps cut from 192 flags that represent the countries who are United Nations members. Continue Reading »
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Posted in Beyond Borders, Check out..., Design, Exhibition, Installation | Leave a Comment »
January 23, 2009 by edwardmiller
I entered into the wrong room at the ornate Goethe Institut across from the Metropolitan Museum on 5th Avenue. I waited for the phone call that was apparently originating from a call center from India — a reversal of the dynamic in which one’s call to a U.S.-based corporation is rerouted to a cubicle located in India or elsewhere.
Perhaps it was deliberate on my part as I am more than reluctant to go to theatre pieces that rely on audience participation. I find them contrived, a kind of theatrical mad-libs: the audience is only there to fill in the blank, providing the performance with a verb, a noun, an adverb but never really guiding or transforming the narrative. I am fine with the fourth wall, and I like my experimentation on stage, not in blurring the distinction between performer and ticket-buyer.
But I’m a media studies person and a friend recommended the piece, regrettably entitled “Call Cutta in a Box.” The “intercontinental phone play” is devised by the German troupe Rimini Protocoll in collaboration with the Callcenter Descon Center Limited in Kolkata, India and coproduced in New York by the Under the Radar Festival and the Public Theatre. Continue Reading »
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Posted in Audio work, Beyond Borders, Performance | 1 Comment »
January 21, 2009 by Robin Locke Monda
President Obama brings out the best in everybody! (Well, almost everybody.) This is especially evident in the creative community. It’s no secret that visual artists have been particularly captivated by Obama’s message and visage. But they are not alone. It seems that writers, poets, composers and musicians have been inspired as well.
I was happy to hear “Praise Song for Day” read by poet Elizabeth Alexander during the inaugural ceremony yesterday. It wasn’t the strongest poem I’ve ever heard but she did take up the limitations of language itself — a worthy topic for any self-respecting poet. It certainly was stronger and more well-crafted than Maya Angelou’s poem for President Bill Clinton. Continue Reading »
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Posted in A Picture is Worth..., Design, Exhibition, Old Media, politics, Popular Culture | Tagged Air and Simple Gifts, Praise Song for Day, Yo-Yo Ma | 6 Comments »
January 16, 2009 by Robin Locke Monda
I am reminded that what we “know” from day to day is truly known only through a glass darkly. Despite the digital information revolution and the development of more forms of information delivery than we can shake a stick at, we are no more enlightened by what we read and watch today than we were when life and ideas moved at a slower pace. In fact, we may understand less. If there is an art to journalism (and I do believe there is) it is in probing more deeply into the stories and “facts” made available to us through live feeds, blogs, cell phones, digital images and audio recordings; then turning that informative into a coherent whole that we can use for better decision making and action. Information, without thoughtful interpretation, is worse than no information at all. We might as well get our news over our neighbor’s backyard fence.
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Posted in Architecture, New Media, The News | Tagged Beijing hutongs, information, invisible Chinese, journalism, Liu Bolin, Olympics, The Bird's Nest | 9 Comments »
January 15, 2009 by Robin Locke Monda
I just finished Michael Frayn’s Headlong, a novel given to me by a friend. She and I saw “Top Girls” on Broadway last year, and we were both intrigued by Dulle Griet, one of the characters in the play, and the namesake of one of Pieter Bruegel the Elder’s more bizarre paintings.
Headlong is an art history “who done it”; in this case the mystery is whether or not a supposed sixth painting in Bruegel’s series of seasonal paintings (of which only five are extant), might be languishing unrecognized in the country estate of an unsuspecting, down-at-the-heels landowner who’s looking to cash in on items he’s stolen from his dying mother. A college professor who’s just arrived with his scholarly wife and their baby to spend “a month in the country” thinks he recognizes the painting as the missing Bruegel, but keeps the thought to himself so as not to tip off the landowner. Instead, he plots to spirit the painting away and into the hands of a grateful art world, who will presumably heap laurels upon him. But first he must prove to his wife that the painting is indeed what he believes it to be. Continue Reading »
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Posted in A Picture is Worth..., Authorship, Old Media, Popular Culture, Theater | Tagged art history, art mystery, Books, Carlo Ginzburg, Headlong, Michael Frayn, Pieter Bruegel the Elder, The Cheese and the Worms, The Fall of the Rebel Angels, Top Girls, who done it | Leave a Comment »
January 14, 2009 by Robin Locke Monda
If I were writing a blog about Brad Pitt or David Archuleta (America’s former Really Cute American Idol), instead of a blog about political and intellectual territories re-envisioned through art practice, I would never mention Barack Obama. The sexiest man alive (meaning Pitt rather than Obama, though a strong case could be made for Obama rather than Pitt), might share with us the fastest way to lose ten pounds so I can outrun the tax collector in 2009, though President-Elect Barack Hussein Obama (Say it loud! Say it proud!) promises a refund and a tax cut since the economy’s wheels have come off, and who has money to pay taxes anyway? Certainly not me.
After referring to the news of a remarkable honeyed bandage curing one man’s rotting limb, I might launch into expletives about Bernie Madoff ponziing his way through a million-trillion-gazillion dollars while eating caviar and having his nails done. If my blog were not about art practices as they are affected by the constant re-drawing of geopolitical, socio-political and socio-economic states, I might report on the increasing number of cyborgs in our midst. They walk among us, blatantly, with their machine parts indistinguishable from their meat parts: pacemakers coupled to hearts, dental implants screwed and glued into jaws, injected “smart tags” barely visible under real or synthetic skin over a computerized titanium leg provided by the US government for your service in Iraq. Continue Reading »
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Posted in border conflicts, Border Violations, Popular Culture, The News | Tagged 2009 best-selling book, Barack Obama, Bernie Madoff, Brad Pitt, Brian Eno, David Byrne, Doctor 90210, Ed Rusche, Hilary Clinton, Israel, new year's resolutions, Palestinians, plastic surgery, Stella McCartney, Sundance Channel, the middle east | 2 Comments »
November 11, 2008 by Robin Locke Monda
Not since Marie Antoinette uttered, “Let them eat cake!” (not!) have cake and politics been so closely related. Zilly Rosen, a cake maker and artist living in Buffalo, New York created a 1,240-pixel, er, cupcake portrait of Barack Obama to express her excitement and gratitude for the presidential election process. Interviewed by Cupcakes Take the Cake bloggers, Zilly explained the source of her genius idea:
“I knew I wanted to do something to be part of this moment in history. I wanted to send up my creative energy to the “ether” in the days preceding the election. I’m a member of the Unitarian Universalist Church of Buffalo, and they always have a bake sale on Election Day for the people voting at their polls. I first thought about making this installation for their bake sale, but then realized I couldn’t have an image of Barack within 100 feet of the polling place!” Continue Reading »
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Posted in A Picture is Worth..., Design, Installation, New Media, Old Media, Photography, Popular Culture | Tagged cupcakes, Obama, Obama Volunteers, pixelated art, politics, Polling Places, Upstate New York | Leave a Comment »
November 2, 2008 by Robin Locke Monda

Photo by Robin Locke Monda
Pat Buchanan’s recurring role on MSNBC’s “Morning Joe” has got to be some kind of border violation. And I mean that in the best possible way! It’s great to watch Buchanan trying to apply nuance to his irrational, nativist positions in the face of thinking, intelligent people from both the left and the right. The “Morning Joe” show is proof that, (1) not all Republicans are nut jobs, and (2) not all Democrats shoot themselves in the foot.
MSNBC’s “Morning Joe” models Democrats and Republicans communicating with intelligence, humor and a willingness to listen. Think what could be accomplished in a truly cooperative congressional environment! We could disarm the big mouths of the radical right while repairing America’s foundation and its vision for the future. Continue Reading »
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Posted in A Picture is Worth..., border conflicts, Corporate Media, Documentary, Multimedia, Popular Culture, Television | Tagged Chris Matthews, Keith Olbermann, Morning Joe, MSNBC, Pat Buchanan, politics, Popular Culture, Rachel Maddow, rightwing politics, The Left, The McLaughlin Group | 1 Comment »
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