I just finished Michael Frayn’s Headlong, a novel given to me by a friend. She and I saw “Top Girls” on Broadway last year, and we were both intrigued by Dulle Griet, one of the characters in the play, and the namesake of one of Pieter Bruegel the Elder’s more bizarre paintings.
Headlong is an art history “who done it”; in this case the mystery is whether or not a supposed sixth painting in Bruegel’s series of seasonal paintings (of which only five are extant), might be languishing unrecognized in the country estate of an unsuspecting, down-at-the-heels landowner who’s looking to cash in on items he’s stolen from his dying mother. A college professor who’s just arrived with his scholarly wife and their baby to spend “a month in the country” thinks he recognizes the painting as the missing Bruegel, but keeps the thought to himself so as not to tip off the landowner. Instead, he plots to spirit the painting away and into the hands of a grateful art world, who will presumably heap laurels upon him. But first he must prove to his wife that the painting is indeed what he believes it to be. (more…)
bordertalksblog.com 